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- Audience Reviews
- Any final thoughts?
- The Fall of the House of Usher is Mike Flanagan’s most ambitious horror story yet
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Like some of Flanagan’s previous work — Hill House is based on a Shirley Jackson novel and Bly Manor a story by Henry James — House of Usher is the kind of adaption that uses the source material as a skeleton to build something entirely new upon. What follows is Roderick explaining the story of how all of his adult children died in a short span of time and how it all relates to him and a deal he made with a mysterious woman (Carla Gugino) at a bar in 1980. Roderick became hugely successful thanks to the help of some kind of dark entity, and now, years later, he (and his family) is paying the price in very bloody fashion.
Audience Reviews
The Fall of the House of Usher is Mike Flanagan's most ambitious horror story yet - The Verge
The Fall of the House of Usher is Mike Flanagan's most ambitious horror story yet.
Posted: Tue, 10 Oct 2023 07:00:00 GMT [source]
Philip Winthrop (Mark Damon) travels to the House of Usher, a desolate mansion surrounded by a murky swamp, to see his fiancée Madeline Usher (Myrna Fahey). Roderick foresees the family evils being propagated into future generations with a marriage to Madeline and vehemently discourages the union. Philip becomes increasingly desperate to take Madeline away; desperate to get away from her brother, she agrees to leave with him.
Any final thoughts?
In 1956, NBC Matinee Theater on US television broadcast The Fall of the House of Usher starring Marshall Thompson and Tom Tryon for episode 197. In 1950, a British film version of The Fall of the House of Usher was produced starring Gwen Watford, Kay Tendeter and Irving Steen. During one sleepless night, the narrator reads aloud to Usher as eerie sounds are heard throughout the mansion.
The Fall of the House of Usher is Mike Flanagan’s most ambitious horror story yet
When the dragon's death cries are described, a real shriek is heard, again within the house. As he relates the shield falling from off the wall, a hollow metallic reverberation can be heard throughout the house. At first, the narrator ignores the noises, but Roderick becomes increasingly hysterical. Roderick eventually declares that he has been hearing these sounds for days, and that they are being made by his sister, who was in fact alive when she was entombed.
By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes. By creating an account, you agree to the Privacy Policy and the Terms and Policies, and to receive email from Rotten Tomatoes and to receive email from the Fandango Media Brands. While you can mostly see where things are headed in a broad sense, House of Usher excels at the details, from the thematically fitting way that characters are killed to the truth behind Roderick’s deadly deal. Even something as seemingly simple as an ignored text message becomes a powerfully tragic moment, full of both terror and heartbreak.
Character descriptions
But things start to get out of control after receiving a visit from his girlfriend, who will do everything to get him out of that macabre place.Roderick Usher returns to his family home after learning that his father is ill. But things start to get out of control after receiving a visit from his girlfriend, who will do everything to get him out of that macabre place. Presenting vintage Poe stories filtered through Mike Flanagan's deliciously dark lens, The Fall of the House of Usher will get a rise out of horror fans.
Gunning’s breakout role could also boost the chances of her co-star Nava Mau, who plays the love interest Teri, garnering attention for her performance. In 2002, Ken Russell produced a horror comedy version titles The Fall of the Louse of Usher. In 1989, The House of Usher was a film produced by American, British, and Canadian companies starring Oliver Reed. In the Roger Corman film from 1960, released in the United States as House of Usher, Vincent Price starred as Roderick Usher, Myrna Fahey as Madeline and Mark Damon as Philip Winthrop, Madeline's fiancé. The film was Corman's first in a series of eight films inspired by the works of Edgar Allan Poe.
The film was the first of eight Corman/Poe feature films and stars Vincent Price, Myrna Fahey, Mark Damon and Harry Ellerbe. It turns out that almost every branch of the Usher family tree has been cut by violent horror. ” “No, not before,” he replies in one of the show’s many glimpses of Flanagan’s viciously dark sense of humor. (Poe had one too.) Roderick has been haunted by all his awful children who have shuffled off this mortal coil, and it’s because it feels like the ghosts are finally coming for him that he is ready to confess. He’s having visions of monstrous ghosts, including the recurring specter of Verna (Carla Gugino), a figure that connects most of these tall tales as a sort of vengeful force of karma, the devil come to take what she’s due from a man who profited off the pain of others.
The narrator helps Roderick put Madeline's body in the tomb, whereupon the narrator realizes that Madeline and Roderick are twins. The narrator also notes that Madeline's body has rosy cheeks, which sometimes happens after death. Over the next week, both Roderick and the narrator find themselves increasingly agitated. Mike Flanagan takes on the works of Edgar Allan Poe in The Fall of the House of Usher, his final spooky outing at Netflix.
The eight-episode series, which premieres to the streamer on Thursday, October 12, follows the bleak, gory, and darkly comedic downfall of pharmaceutical magnate Roderick Usher (Bruce Greenwood) and his richly diverse (and richly despicable) family. Once that initial confusion is out of the way, part of what makes it work is how each episode manages to tell its own self-contained story about the victim in question while also steadily advancing the overarching tale of what Roderick did to deserve this fate. The mystery, which seems so obvious early on, becomes more complicated and even darker than I first imagined.
He witnesses Madeline's reemergence and the subsequent, simultaneous death of the twins. The narrator is the only character to escape the House of Usher, which he views as it cracks and sinks into the mountain lake. As the narrator reads of the knight's forcible entry into the dwelling, he and Roderick hear cracking and ripping sounds from somewhere in the house.
His mental health deteriorates faster as he begins to hear Madeline's attempts to escape the underground vault she was buried in, and he eventually meets his death out of fear in a manner similar to the House of Usher's cracking and sinking. From his arrival, the narrator notes the family's isolationist tendencies, as well as the cryptic and special connection between Madeline and Roderick, the final living members of the Usher family. Throughout the tale and her varying states of consciousness, Madeline completely ignores the narrator's presence.
English majors will likely know where some of the stories are going just by seeing the episode names. When the young and trendy Prospero Usher (Sauriyan Sapkota) decides to host an exclusive sex-and-drugs party at one of dad’s old factories in an abbey, readers of The Masque of the Red Death will know it’s going to be a gruesome scene. However, Flanagan is smart enough to shift the Poe narratives ever so slightly for a modern audience. His version of The Tell-Tale Heart is a modern gem, and “The Gold-Bug” is reimagined as a new brand for the Usher company.
A storm begins, and Roderick comes to the narrator's bedroom (which is situated directly above the house's vault) in an almost hysterical state. Throwing the windows open to the storm, Roderick points out that the lake surrounding the house seems to glow in the dark, just as Roderick depicted in his paintings, but there is no lightning or other explainable source of the glow. The narrator is impressed with Roderick's paintings and attempts to cheer him by reading with him and listening to his improvised musical compositions on the guitar. Roderick sings "The Haunted Palace", then tells the narrator that he believes the house he lives in to be alive, and that this sentience arises from the arrangement of the masonry and vegetation surrounding it.
It is revealed that Roderick's sister, Madeline, is also ill and falls into cataleptic, deathlike trances. “It’s batshit crazy in the best possible way,” Carla Gugino told Netflix during production. “It has quite a lot of very dark humor, but also really touches the soul.” In the series, Gugino portrays a shape-shifter named Verna, whose origins can be traced back to a — let’s just say — very famous Poe character. “There is a fantastical supernatural element to the story, and she is the manifestation of that,” she added. As these first look photos and posters reveal, Verna isn’t one to be played with.
The cast is made up of Flanagan regulars who make up for a delightfully despicable group of asshole millionaires. When one steps back and looks at the whole narrative of the season of “The Fall of the House of Usher,” it sags in places. Most of the flashbacks to a young Usher and Dupin are thin, especially compared to the wicked fun on display in the fates of the Usher children. It feels like padding to get episodes to a full hour when Flanagan and company could have leaned even more into the episodic structure that highlights a single Poe per chapter.
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